#Marty stuart hair professional
#Marty stuart hair tv

He produced and performed on most of the first wave of recordings and also performed live with their “revue” known as The Dead Reckoners. In the mid-nineties, Harry helped found Nashville’s premier artist run independent label, Dead Reckoning Records with fellow artists Kieran Kane, Kevin Welch, Tammy Rogers and Mike Henderson. During the 1990’s hardly an hour went by on the radio that didn’t have some sort of contribution by Harry Stinson.

In addition to all that time in the studio, Harry was part of TNN’s American Music Shop house band and continued to serve as music director for many hours of network and cable music shows.

#Marty stuart hair tv

He also hit pay dirt producing a number one for Trisha Yearwood’s “XXX’s & OOO’s.” That event came about while Harry was musical director and composer for Brandon Tarticoff’s TV pilot of the same name. He’s had works recorded by Faith Hill, and Wynonna Judd among others, and finally achieved his first number one hit with “Wild Angels,” recorded by Martina McBride. Immediately he became an in-demand session player and singer, but continued to expand his career into songwriting and producing.Īs a songwriter, Harry’s first appearance on the charts was the top five hit “Let It Be You,” recorded by Ricky Skaggs. Tony also enlisted Harry to play and sing on Lyle Lovett’s classic, Pontiac. Harry joined Steve’s band, and spent two years performing as a Duke. Just a few months later in 1985, after moving his family back in Nashville, Harry played drums and sang on Steve Earle’s groundbreaking album Guitar Town. Tony immediately took Harry under his wing and introduced him to another singer/songwriter he had just signed to MCA, Steve Earle. That weekend, Harry sang on Jimmy’s Last Mango in Paris, an album that was being co-produced by legendary producer, Tony Brown.

Timothy lobbied for Harry to help out with the background vocals. Schmidt, who was at the time recording with Jimmy Buffett. That’s Harry singing on “Love’s Been A Little Bit Hard on Me.”Īfter ten years in Los Angeles, and while on an exploratory trip back in his hometown of Nashville, Harry ran into an old friend Timothy B. Besides playing for television, he appeared in Bette Midler’s The Rose as well as contributing background vocals for Juice Newton on her first two albums, Juice, and Quiet Lies. The group managed one top 20 hit in 1976, “Wham Bam Shang a Lang,” and after a couple of years they disbanded leaving Harry to hone his recording skills further by playing with Jay Ferguson, Al Stewart, Etta James, and Peter Frampton (that’s Harry on the ‘Out of Control’ album). This led Harry to California, where he joined the country/rock band Silver, a band signed to Arista Records.

Within 24 hours and knowing only “Horse With No Name,” he played their show in front of thousands of fans with Willie holding a flashlight on his hastily made charts. His first big break came in 1974 when, with the tune ‘Tin Man’ topping the charts, the band America needed a drummer to sub for an ailing Willie Leacox. Working the road in package tours with Red Sovine she took him to the Opry stage where he rubbed shoulders with all the greats, including Porter Wagoner and Dolly Parton, both of whom he would record with years later.

#Marty stuart hair professional

Grand Ole Opry star Dottie West gave him his first professional job in summer of 1970. Then there has also been TV and film recording for the likes of Silent Rage, The Rose, Cheers and The Fox and the Hound 2. Peter Frampton, Elton John, Bob Seger, Leon Russell, Lyle Lovett, Steve Earle, Bette Midler, Faith Hill, Patty Loveless, George Jones, Marty Stuart, Neil Diamond, and Earl Scruggs are just the start of a very lengthy list. A Grammy-nominated multi-instrumentalist, Harry Stinson is one of the top session drummers and vocalists in Nashville.Ī quadruple creative threat – drummer, producer, writer, and singer – Harry has worked with major names in pop, rock, country, and bluegrass.